Hey dear readers!
HAPPY STRAYA DAY!!
Or to my international friends, Happy Australia Day!
Today, instead of getting fully hammered (well, maybe a little with a glass or two of white at the moment!) I’m going to tell you about the next instalment of Project Blossom: Vogue 8772
Member this?
Well, I’ve been busy playing with a horrible yellow stained poly crepe – for a muslin, don’t worry. I get all kinds of ‘interesting’ fabrics from thrift shops and use them for muslins…they’re like $1 or less and you built up a real good collection of fabrics to choose from when needing a muslin in a similar characteristic to your fashion fabric of choice.
The crepe I used was a bit thicker than I would have liked, but just as shifty (@%!$) and drapey. For this reason, I only did one sleeve…but HOYA MONTOYA it fit like a dahream!!!
Even the sleeves were long enough! WTF was up with that? Anywho, no complaints…only happiness.
BUT! I needed EVEN MORE PRACTICE!
I got a remnant from Spotlight of a poly chiffon for like $2 which was enough to use for the sleeveless version. I wanted to practice the actual construction of the blouse (collar etc…) before using my expensive and very lovely silk chiffon. The sleeveless version uses a surprisingly small amount of fabric (yay), so I had heaps.
But HOYA MONTOYA it taught me a few things about working with nifty but shifty fabrics. Here’s what made my swear the most and 10 tips for next time:
1. Use SHARP NEW pins. You want to disturb the fabric as little as possible so you want the pins to slllliiiiiddde through the fabric without hooking it.
2. Freaking *everything* can throw your fabric off grain. Say, a small gust of wind, a hooked pin, the fabric draping ever so slightly off the table/ironing board, the slightest touch. Thus, disturb the fabric as little as possible and always watch the grain. To cut, I lined up the grain with the edges of my table – this helped tonnes.
3. Cut with a rotary cutter/mat and use pattern weights. This helped me immensely
4. Baste baste baste and baste some more
5. Before you handle anything, stay stitch all bias edges such as armholes/necklines – they stretch
6. Use a fine point needle – I used a 70/10
7. Sandra Betzina in her book “Fabric Savvy” recommends a short stitch like 1.5-2.0mm. I’ve also seen 1.5-2.5mm and short-medium length. I found a 2.5mm length worked well for me, but may change for my silk chiffon. I suppose the best advice is to just experiment on a scrap of fabric. Will try some experiments myself on my silk to nut this out.
8. Use gelatin to firm your fabric (see Technique of the Week) – I didn’t this time, but will next time!
9. Stabilize front facings, collars and bands with silk organza
10. Don’t clip toooo close to stitching, the fabric is unstable and will fray
Well, I learned more than a few things as you can see here; which was the point, so that’s good.
AND I’ll have a beautiful new sleeveless blouse soon. Here are some of the points which I deviated from the instructions (such a deviant!).
First, I used silk organza as an interfacing instead of fusible, which I think looks bad with a sheer. I simply basted the silk organza to the fashion fabric
Secondly, I used a long strip of silk organza to reinforce the front facing where the buttonholes/buttons go. I figured the blouse really needed it even though the facing was folded over twice. I just couldn’t see how the delicate chiffon would stand up to a button hole/button. So, first I basted it to the wrong side
I then folded the facing to the inside, pinned, pressed and basted
I then folded it again, and yet again pinned, pressed and basted
As an aside, Susan Khalje taught me to sit the pins perpendicular to the straight edge of the facing to make basting easier! And it does because I don’t stick myself anymore and it makes the fabric flexible in the right direction when you’re taking up basting stitches….huzzah!
There! A suitably stabilized button placket. Happy Kat.
Everything else went according to plan… albeit slowly. I have yet to finish the armhole facings and the button/buttonholes and hem…but here she is on Lola!
I must say this is one of the more beautiful things I’ve made and I’m really looking forward to the finished result! Hard going, but worth it, ya know? The tailored collar with poly chiffon was yeah, challenging. But I did say I wanted a challenge…right? :P
Anywho, hope you enjoyed my practice…tomorrow it’s finishing and then a serious gelatin bath for my silk chiffon – fun times all around.
Have you worked with troublesome fabrics? Any tips for the rest of us? Don’t hold back!!!
Relax and Enjoy,
Kat











That sleeve! Holy wow! It’s perfect. I’m so excited for you.
I know! This pattern is just so beautiful…it will be my go to for blouses for sure. Sometimes you hit it right on.
That’s so awesome. I have yet to find a go to blouse pattern.
But that means you get to have fun trying out patterns until you do…lucky U!
This year is my blouses year. It’s just that nothing is calling my name. Perhaps I should be looking at it from a blank slate POV and choose the fabric for a blouse first.
Hmmm…good question. It’s the age old debate of is it easier to choose a pattern for a fabric or fabric for a pattern. I’m the same way about something calling my name, though. It’s really gotta inspire me for me to buy it now. Just keep your eye out…sometimes you gotta be patient with these things. And then one day when you’re not looking for it…BAM! The perfect pattern! Always works like that for me. Other people’s blogs are always a great source of pattern inspiration too.
Wonderful work… Pretty fabric. I tried the spray starch technique on my last “slippery project” and it made it so much easier! I will have to check the gel out!
I did buy a can of spray starch to try too…will give it a shot. Thanks for the advice!
I should point out that I IRONED the fabric with spray starch before cutting… (details details!)
Good to know, thanks!
Wow! Such dedication, but it is certainly paying off, you blouse looks fabulous!
Thanks! I’ve been scared of chiffon for TOO LONG!!! Had to give it a shot, although it is patience trying at times!
That is definitely one of the most beautiful things you’ve made …love the fabric…and the comprehensive list of how to sew light fabrics. The tip about using a longer stitch length caught my attention…i had it in my mind that fine fabric needed short stitch length…this explains my less than stellar seaming on some things!
Great point. I just looked up Silk Chiffon in Sandra’s “Fabric Savvy” and she does recommend 1.5-2.0mm stitch length, so just ignore me! I think I’ll change that tip…perhaps I was using the wrong tension. Thanks!
I think remembering to do test seams at varying stitch lengths is probably the way to go!!! If the length is too short, it may act like perforated paper and tear apart??? Not good!
Yeah, that’s what I think too…
You are right to stabilise the facing before making the buttonholes on such a delicate fabric. I got caught out with my recent make of Vogue 3015 by not inserting an interface. My buttonholes are a bit weak and raggedy. Where do you stand on fusible interfacings? I hate them and vowed recently never to use them on sewing projects? I haven’t plucked up courage to use delicate fabrics in my projects yet although I have a nice piece of silk charmeuse in my stash.
Hey Gill!! I’ve only started lately to use silk organza as an interfacing and am *really* loving it. Before then I always used to use fusables, but have only ONE favorite that I use. It’s a light weight woven that’s quite expensive but fuses quickly and never ever bubbles or shifts…but it’s the only one I’ll use. Having said that, I love the organza so much I might make the shift with you! I hadn’t used delicates before either, but am glad I’m sticking my feet in the water so to speak. The results are beautiful and well worth the effort. But I’m still learning how to handle them…it does take some trial and error…but hey, if you don’t try you’ll never gain the experience you need! Dig in, I say!
BTW forgot to say I love your shirt.
HAHA…thanks Gill!
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i hate fusible interfacing as well. the sew-in method gives me much better control especially if i don’t like the effect and want to change it out. one thing that has helped me with delicate fabrics is to use cotton batiste (where possible) as an underliner or even as a secondary design element in the garment.–anne